Milos Bajic was a Serbian Modernist painter. Milos Bajic is the founder of abstract painting in Yugoslavia. Moreover, he is well-known for painting, drawing, mosaic, and fresco.
Table of Biography
Milos Bajic was born in 1915 in Resanovci, a village in the Condominium of Bosnia and Herzegovina in Austria-Hungary (now Bosnia and Herzegovina). He holds a Serbian nationality. Similarly, he was born under a horoscope sign of Virgo. In 1922, Bajić moved to Belgrade, the capital of Yugoslavia (now Serbia), where he completed grammar school and teacher school. As a student, he published illustrations and caricatures in the daily Politika and satirical magazine Ošišani jež. In 1935, Bajić became one of Petar Dobrović’s students, finishing his first year in Beta Vukanović’s class at the Belgrade School of Arts in 1937.
Milos Bajic was a creative artist, passed away in 1995, in Belgrade, Seria. He was 80 years old. Artists Klavdija Erofeevna Balanova, Nassan Abiskhairoun, Chittoprasad Bhattacharya, Yvan Andreev, and Hilde Böhme-Burckhardt are of the same generation. However, the reason for his death is still a mystery.
Career and Professional Life
Milos Bajic was predominantly inspired by the 1930s. During the 1930s, many political ideologies were engaged in struggles for power and characterized the political atmosphere of the period. In the Soviet Union, Stalin’s government was in dire need of urgent funds to implement the industrialization of the Five Year Plan. That is the reason why most people know Miloš Bajić as a famous Serbian painter with an impressive fan base. Their support helped him achieve some of his long-term career goals.
In a secret bid to acquire funds, the government proposed to sell off treasures from the State Hermitage Museum in Leningrad (St. Petersburg). This included some two hundred and fifty paintings by the Old Masters, a number of which had been deemed irreplaceable. Many of the pieces came to be owned by Andrew Mellon, via the New York-based art dealing company, Knoedler. Sometimes even the stars work in Miloš Bajićs favor. He enjoys his job and continues to try the best he can.
After the Kingdom of Yugoslavia was invaded by the Axis powers of Germany, Italy, Hungary, and Bulgaria in 1941, Bajić joined the Partisans, a Yugoslav anti-Nazi resistance movement. Occupying forces captured him in Belgrade in October 1942 and imprisoned him in Banjica Concentration Camp. In September 1944, he was transferred to Mauthausen concentration camp. While in detention, Bajić captured the scenes from prison life as drawings. and later said about his work:
“In the concentration camp, drawing was my way of daring fate. I would draw on any piece of paper I could get hold of, using a pencil not bigger than a baby finger”. And also, “I did this secretly, risking my life. I hid the drawings inside my shirt, under my bed, or I would bury them underground. One day, I noticed a fire extinguisher bottle. I emptied it the next evening and hid my drawings inside. At midnight, I buried the bottle. When the camp was liberated, I excavated the drawings.”
More about his career
After the liberation of the camp by American forces, Bajić returned to Belgrade with about 150 drawings and continued his education at the University of Arts in Belgrade. In 1949, he graduated from the Academy of Arts in Belgrade in the class of Milo Milunović, Ivan Tabaković, and Nedeljko Gvozdenović. After finishing his specialist training with Marko Čelebonović, he became one of the first assistant professors at the Belgrade Academy of Arts and worked as a professor until he retired in 1979. Numerous distinguished Serbian painters were students in professor Bajić’s class.
He was a member of the groups “Independent” (1951–55) and “The December Group” (1955-60). These groups which used modernism as a way of fighting socialist realism. He had his first individual exhibition at the ULUS Gallery in Belgrade in 1952. Moreover, he participated in founding the Art Colony in Bačka Topola (1953). This is where he completed his first large-format mosaic and obelisk dedicated to the space conquest. His later work is characterized by numerous mosaics and fresco paintings (compositions in space). Also, particularly the memorial construction Partisan Necropolis in Resanovci (1971).
In 1967, he exhibited for the first time the new cycle of large-format Mauthausen paintings. The painting was inspired by the drawings he made during his time in the concentration camp. Then, in 1975, Bajić published the monograph “Mauthausen 106621”. In the preface, he said: “Let the youth, unaware of the tragic of the times past, or its life, direct their endless enthusiasm towards the furthest stars, but never again back to the times we endured”.
Awards and Nomination
He received several national and international awards, decorations, and honors. His works are today displayed in numerous museums. Most of his authentic drawings and paintings from the cycle Mauthausen are stored in the carefully guarded family collection.
Milos Bajic was a very creative person. He must have had a good net worth back then. However, details regarding his net worth, assets, etc are still missing. But looking at his successful journey, he must have lived a good life after all those struggles.
There is no information about his relationship. It seems like he was a married man. But the name of his wife is missing. However, it is sure that Milos has a son. His son is well-known Serbian film director Darko Bajic. From their picture, it looks like the son and the father was very close to each other and loved each other very much.
Body Measurement and Social Media
Regarding Milos Bajic’s body measurement, there is no information. We even cannot tell the color of his eyes and hair due to black and white pictures. But looking at the same picture it is sure that he has an average body type. Moreover, he had a handsome face with a dashing personality as well.
Talking about social media, he was not active on any of the social media at all. He was a very secretive person. He kept most of his personal information private. So, we can tell that he is not an attention seeker.